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Critical Essay by Bálint Szombathy
This essay by Bálint Szombathy situates Productive Misunderstanding within the histories of visual poetry, intermedia practice, concrete poetry, and digitally expanded textual forms. Original essay: SZOMBATHY BÁLINT, Termékenység mint egyetértés (Áfra János – Szegedi-Varga Zsuzsanna: Termékeny félreértés), in Alföld, issue 71, 111–112, December, 2020 Fertility as AgreementJános Áfra – Zsuzsanna Szegedi-Varga: Productive Misunderstanding I had been waiting…
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Mersz Klub
Book Launch: November 11, 2021Moderator: Mari Falcsik Location: MERSZ KlubAdaptation: fónikus-zenei performanszProduction: OPÁL Színház A könyv alkonya „(V)ártam már nagyon egy olyan teljesítményre, amely előrelépést mutatna az új nyelvi kiterjesztések felé, s amely a szemléletváltás esélyét hozná el. Kétségem sem volt, hogy ennek a lehetőségét a digitális művészetben rejlő nyelvi távlatokban lehet megtalálni. Most már…
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Horizon – exhibition
HorizonExhibition: July 3rd — August 15th 2021Curators: Molly Getz and Brendan Getz,Location: Take Care Gallery – LA Where the earth and sky appear to meet. An indistinct boundary in motion– a movement through time. The limit of a person’s perception, experience or interest. To broaden one’s “horizon.” We see Horizon as a soft, permeable and…
Productive Misreadings is an equilibrium, whose every new page is an impression left by the spontaneous and dynamic collaboration between two authors, accommodating one another yet keeping their own autonomy. They revive and revitalize questions harking back millennia (ut pictura poesis, the paragone) while wilfully evading hierarchical categorization within any one branch of the arts. The creators call attention to problems stemming from specialized forms of knowledge and isolated modes of expression, as well as the necessity for conscious risk-taking, progressive ventures and experiments in closing the gap.
The poet and the artist address and challenge one another in different languages, through their experimental dialogue they create a third, and arrive together to a common tongue. Through their continent-spanning interactions, editing programmes become their platform, providing space for intermedial crossings, the varying and mixing of divergent codes, the overriding of rules and the blurring of boundaries, through which a concentrated mode of expression is invented. The result is neither art book nor poetry book, the pictures are not illustrations, the poems are not captions, the translation is not a mere exchanging of languages.


